Can metal music be the soundscape of heritage?
There was an atmosphere of mysticism and mythology at the Roadburn festival two weeks ago. I noticed that most of the bands I saw portrayed various landscapes in their visual backdrops (CHVE, Buried at Sea, Jakob), along with ritual imagery and dilapidated buildings (Dark Buddha Rising, Amenra). Photos: Tim Bugbee What I gleaned from the musicians who were interviewed at Roadburn was the combined notion of people working together to create ‘authentic’ music and experiences that go beyond preconceived frameworks. For example, Neurosis spoke of their musical process as being a type of religious journey. Wanting to retreat into a cave to get in touch with nature and their music, Neurosis creates something shared from within, taking it out of their heads and directing it at the audience. Neurosis mentioned with all honesty that in their former years they considered the audience to be their enemy. However, now celebrating their 30th anniversary, Neurosis no longer view us as the enemy. W